In short
- Existing aerial footage can work, but only if you know where it came from and may use it.
- Ownership and permission should be written down, not assumed.
- The shots must match the place, season and look of your event.
- Label old footage honestly, so no one thinks it was filmed on the day.
Existing aerial footage can add scale and a sense of place, but only if you know who made it, you have permission to use it, and it truthfully fits your event. Answer those three first, then decide how to credit it.
Where did the footage come from?
Start with the source, because it decides the rest.
- Your own organisation: filmed by your staff or a supplier for an earlier project.
- A previous videographer: filmed for a past event at the same venue.
- The venue or a sponsor: supplied for promotion.
- Stock libraries: licensed clips of a place or landscape.
- Unknown: found online or passed along without a record.
We only use footage when its origin is known. A clip with no known owner is a risk to you.
Do you have permission to use it?
Who owns a film is a legal question, and the Malaysian Copyright Act 1987 is the starting point. These are the questions to settle:
- Who owns the footage?
- Does the original agreement allow reuse in a new film?
- Does the licence cover your use, such as screening at the event, posting online, or advertising?
- Is there a time limit, or a credit you must give?
- Does the footage show identifiable people? The Personal Data Protection Act 2010 may matter if it does.
Get the answers in writing. The filming and publication responsibilities checklist helps you keep track.
Does it fit your event?
Permission is not enough. The footage must also suit the film:
| Check | Why it matters |
|---|---|
| Same place | A different resort or town will mislead viewers. |
| Same look | Season, light, buildings and roads should not contradict your event. |
| Quality | Resolution and frame rate should match the rest of the film. |
| Length | A few seconds of establishing view is easier to fit than a long sequence. |
For example, an aerial shot taken before a new wing was built should not open a film about an event held after it opened. That is an illustration, not a real case. Send a sample clip and we will check each of these points before editing.
How should you label it?
Viewers should not think old or borrowed footage was filmed on the day. A credits line such as “Aerial footage courtesy of” followed by the owner’s name, or a short on-screen note, is enough. This matters most when the event itself had no drone.
What we confirm for your event
- The quality and format of your clips, checked before you commit.
- Where the footage sits in the film, and for how long.
- How it is credited.
- Ground shots to fill the gap if a clip is not usable.
If you would rather have new shots, read how early to plan a drone application and our page on event drone footage. To have your clips edited into a film, see event video editing.
When existing footage is the better choice
Sometimes old aerial footage is simply the sensible option. The approval time may be too short, the venue may not allow flying, or a good, properly licensed clip may already exist. In those cases, a short establishing shot from existing footage, labelled honestly, serves the film well and adds little risk on the day.
Who keeps the records?
Keep a copy of the agreement, licence or permission email with the project files, and give us a copy too. If anyone later asks where a clip came from, you can answer quickly.
For a legal question about your footage, ask a qualified adviser.
Send us a few sample clips with the event details. We will tell you which ones look usable in your film and what to confirm first.
Ask about your eventSources
- WIPO Lex, Malaysia Copyright Act 1987, checked 2026-10-06
- JPDP, Personal Data Protection Act 2010 (Act 709), checked 2026-10-06
Checked on the date shown. Rules and venue requirements change, so confirm them for your own event.